Racism in Canada Essay Example for Free

Racism in Canada Essay Canada is known around the world as an international peacekeeper, a place of liberty, and a loving country that accepts everyone. This reputation is part of our image, and is honoured by many nations. But Canada is not perfect. Racism still exists, sometimes it maybe in the shadows, it does not take a investigative detective to notice the visible racism all around us. In some cases it is social phrases, in some it may be serious bullying, discrimination or even assault, racism is still a problem. Like the United States of America, Canada has a history with racism. In the 1900s to 1950s, there was discrimination against African-Canadians. From the time of settlement into North America, up until a few decades ago, there was serious mis-treatment of First Nation peoples, including genocide, sexual assault and child abuse. Also during WW2, Japanese-Canadians were looked upon as enemies, and treated poorly. Compared to the past, we are much more liberal, and have less racial prejudices. The improvement of civil liberties from the past to now is amazing. But still not enough. Every time I see something racist, it deeply saddens me. In my heart, Canada as a whole has left racism behind, but some people still carry the disgusting tradition. I once saw a bus driver speaking disrespectfully to an older Chinese woman, about how he couldnt understand her, and she should try to speak in English. I thought to my self how sad it is that an official city worker can be so intolerant of other cultures. I do not like racism, and see it a lot. I see racism when a group of African-Canadians attack a Caucasian man for coming to the wrong neighbourhood. I see racism when people say, White people cannot play cricket, when some of the best cricket players are Caucasian, like Alastair Cook, with over 8000 runs  scored. I see racism in stereotypes. It is clear that racism is a part of our society now, but we need to improve our selves and eradicate it for good. To abolish racism completely, we first need to put personal feelings aside, and agree on facts. Yes, we are all humans. But we need to accept our differences, we are not the exact same. Specific genotype gives athletes like Bolt a boost, dailymail reports scientific research done by University of Szczecin in Poland. Once we separate fact from fiction, we can live without delusion. Secondly, we must call out racism when ever we see it, for example if a bus driver does something wrong, he should be confronted, to avoid it from happening again. If we call out all racism when we see it, we can put an end to it. In conclusion Canada is one of the best countries to live in in the world. It is a leader in civil rights, peacekeeping, and equality. However some racism remains in our community from the past, which should be cleaned up. If we all aim towards a better future, the present could looked upon in future similarly to how the bloody 50s are seen today.

Frank Lincoln Wright :: essays research papers

Frank Lincoln Wright ".......having a good start not only do I fully intend to be the greatest architect who has yet lived, but fully intend to be the greatest architect who will ever live. Yes, I intend to be the greatest architect of all time." - Frank Lloyd Wright 1867-1959 CHILDHOOD Born in Richland Center, in southwestern Wisconsin, on June 8, 1867 (Sometimes reported as 1869) Frank Lincoln Wright (Changed by himself to Frank Lloyd Wright) was raised in the influence of a welsh heritage. The Lloyd-Jones family, his mother's side of the family, had great influence on Mr. Wright throughout his life. The family was Unitary in faith and lived close to each other. Major aspects within the Lloyd-Jones family included education, religion, and nature. Wright's family spent many evenings listening to William Lincoln Wright read the works of Emerson, Thoreau, and Blake outloud. Also his aunts Nell and Jane opened a school of their own pressing the philosophies of German educator, Froebel. Wright was brought up in a comfortable, but certainly not warm household. His father, William Carey Wright who worked as a preacher and a musician, moved from job to job, dragging his family across the United States. His parents divorced when Wright was still young. His mother Anna (Lloyd-Jones) Wright, relied heavily on upon her many brothers sisters and uncles, and was intellectually guided by his aunts and his mother. Before her son was born, Anna Wright had decided that her son was gong to be a great architect. Using Froebel's geometric blocks to entertain and educate her son, Mrs. Wright must have struck genius her son possessed. Use of the imagination was encouraged and Wright was given free run of the playroom filled with paste, paper, and cardboard. On the door were the words, SANCTUM SANCTORUM (Latin for: place of inviolable privacy). Mr. Wright was seen as a dreamy and sensitive child, and cases of him running away while working on the farmlands with some uncles is noted. This pattern of running away continued throughout his lifetime. WRIGHT'S FIRST BREAK In 1887, at the age of twenty, Frank Lloyd Wright moved to Chicago. During the late nineteenth century, Chicago was a booming, crazy place. With an education of Engineering from the University of Wisconsin, Wright found a job as a draftsman in a Chicago architectural firm. During this short time with the firm of J. Lyman Silsbee, Wright started on his first project, the â€Å"Hillside Home† for his aunts, Nell and Jane. Impatiently moving forward, Wright got a job at one of the best known firms in Chicago at the time, Adler and Sullivan.

Jack Kerouac’s On The Road

The ideas presented in the novel about life, beliefs, different feelings, and the kind of harassers depicted shaped America's youth culture for decades and the book became a sort of icon for this generation. On the Road provoked a change in the consciousness of the country. As Kerouac friend, William Burroughs, wrote, â€Å"It sold a trillion Levies, a million espresso coffee machines, and also sent countless kids on the road† (Change, 2007). Moreover, Kerouac book was also used as a gulled for several people In their road trips.In this essay, I will try to examine the way in which On the Road gives voice to the new social attitude which emerged after the publication of the book and it is known as the ‘beat' generation. The novel seems to promote a series of revolutionary values against the official conventions of America. In this way, traditional family values of responsibility, morality, religious ideas and working hard -as the family portrayed in Capote's In Cold Bloo d- are oppositely represented in the novel. Dean Mortality refuses to assume the social responsibilities that society imposes upon him.He Is with two women at the same time, so he Is not faithful to his wife. Moreover, he leaves his wife and children and goes on the road without worrying about their welfare. He Is very Irresponsible and because of him many people suffer. An example to Illustrate this would be noon have absolutely no regard for anybody but yourself and you damned kicks†¦ † (Kerouac, 1972: 182). Besides, both Dean and Sal are always short of money but they do not care about it and go on the road anyway. They do not have a permanent Job or work hard to keep the Jobs they get in some cities they arrive.Although, Sal writes book and tries to sell them, he is always has to ask her generous aunt to send him money. Then, both Dean and Sal have another philosophy of live, they want to have fun without responsibility and they do not care about American rotational v alues. Therefore, the novel presents a detachment from the American conventional society. This detachment from American traditional values created a new social attitude, depicted in Kerouac novel, which showed restlessness and dissatisfaction.The These people were idealistic and yearn for something more than the conformity of a prosperous society, which had became flourishing after the World War II to turn into one of the most powerful countries in the world. In the novel we can see how the characters go on the road because they are not satisfied with their lives and desire to get freedom. In that way, we can see the road as an open path which gives freedom as well as thrill of movement. With these Journeys, the characters also reflect the Joy of being young and alive, with no money in their pockets but no obligation either.A part from traveling, characters seem to vindicate the use of drugs, drink, sex, and music since these are the most characteristic things of their trips. These also help them in the search of the release they are looking for. Moreover, crossing the country in that way was only possible because at that time there were many motorways due to the prosperity of the country and cars began to e accessible for more people. In the novel, we can see how the car represents the consumer society of the time and how the characters do not fit into it.For instance, Sal made his first travel to the West by hitchhiking because he does not have money. Later, in another travel, Dean bought a new car -although he does it with all the money he had saved, leaving his wife without anything. This is something very important because for them the car is their dream of freedom. They can go wherever they want without depending on anybody, that is, without hitchhiking. However, when Dean picks up Sal for the first time with his new car, Sal realizes that it was already broken: â€Å"The radio was not working.It was a brand-new car bought five days ago, and already it was broken† (Kerouac, 1972: 111). In addition, we can also see this consumption in other aspects such as when Sal goes to the opera and wears a friend's suit. He feels on the top of the world (Kerouac, 1972: 51). Another aspect that we can see in the novel is that Dean and Sal go on the road since they yearn for new experiences which can contribute to their personal development as individuals. For them, life is a process and they want to find its meaning.They do not stop moving because they feel the necessity to do so. Several examples to illustrate this can be â€Å"we were performing our one and noble function of the time, move† (Kerouac, 1972: 127); â€Å"the road must eventually lead to the whole world† (Kerouac, 1972: 216). Traveling on the road also gives the characters self- knowledge and even maturity. Then, moving seems to be a necessary tactic for survival. This is connected with the fact that the real Journeys turn to be inward journeys for each charac ter. This is better seen in Sal Paradise.He seems to be searching for something since his Journeys are like quest for values or beliefs. He mess to get it while he is on the move, but the moment he stops, he wants to come back. He does not find what he is looking for. For instance, the first time he arrives San Francisco, after having wished going to the west a lot, he feels lonely and he wants to come back. He does not find the ‘paradise' he was looking for and so he has to keep moving. Society. He feels lonely, restless and depressed. He is also afraid of falling in love: â€Å"a girl like that scares me† (Kerouac, 1972: 214).He described himself as â€Å"l like too many things and get all confused and hung-up running from one falling star to another till I drop† (Kerouac, 1972: 120). It seems that Sal is disappointed about America. When he arrives at San Francisco he realizes that the continent is not big any more, there is a limit: â€Å"we can't go any fart her 'cause there anti no more land† (Kerouac, 1972: 161). Or when he tries to sit on the banks of the Mississippi River he cannot because the access is blocked with a fence (Kerouac, 1972: 141).The freedom and well-being he is looking for at first is represented by the West, which is also a symbol for future, prosperity and renovation. It is also associated with the traditional idea of the American Dream. On the other hand, the East is considered old, stagnant, intellectual, and he does not want to belong to that. The more Sal is reaching west, the best he feels: † it was getting better as I got deeper into Iowa† (Kerouac, 1972: 20). Therefore, there are two sides of everything: American West which can either fill the spirit and be the epitome of loneliness.It all depends on his emotional state. This view changed as long as Sal has grown as a character. He learns that East is also sweet (Kerouac, 1972: 222) and that there is wilderness in the East too. He becomes s trong, confident and in love. On the contrary, we cannot see this self-development in Dean and maybe that is the season why towards the end of the novel there is a detachment between both characters. Their positions have changed. Dean is incoherent and lost. However, the character of Dean Mortality became a sort of hero for this generation.Dean's arrival put everything into motion. He is full of energy, very masculine; he has impulsive passion; he represents what Sal is not. He symbolizes the pioneering instinct, the spirit of the west, idea of moving west to get freedom. So he is the personification of Gal's dream of the west. At the beginning he is seen as a sort of prophet (Kerouac, 1972: 38) but this is broken towards the end. As I said before, he is very irresponsible, even a con-man and almost a delinquent as he stole cars Just for fan.Victor, the Mexican man, is the first man to refuse Dean's attempt to follow him onto the road. His moral obligations to his wife and child are clear to him. He represents the morality Sal is in search of. Therefore, although the novel seems to celebrate the character of Dean Mortality, he is a questioned hero. To conclude, I have been talking about how Jack Kerouac On the Road inspired a new cultural phenomenon, which was known as the ‘beat' generation. I have pointed UT what I think the most relevant evidences are to show the way the book presents this new social attitude.

Humours of Two Characters in Much Ado About Nothing Essay

Compare the Dramatisations of Benedick and Don John in Much Ado About Nothing; looking closely at the way they speak and the ways they interact with other characters In Shakespeare’s era character traits were often represented by humours. Benedick is predominantly influenced by the sanguine humour which gives rise to his friendly, happy, optimistic and generous nature. Don John [henceforth John], however, is portrayed as an introspective, solitary and vengeful character due to the melancholic humour. Benedick and John are both egotistical and are aware of their personalities. Benedick has wit and charisma to enhance his popularity whilst John appears to be self obsessed and selfish. John’s overuse of ‘I’ indicates his egocentricity†¦show more content†¦However, I would make them similar ages, to show that he is just as susceptible to falling in love as Claudio is and this proleptic of the event. John, however, would need to be cast as a small insignificant figure to match his cowardly and ineffectual personality. Benedick’s ingenuity is apparent from his clever use of language and his ability to skilfully manipulate words. His wit and intelligence are shown in his longer speeches with his use of extended imagery. At the masked ball he complains that Beatrice has used him past the ‘endurance of a block’, and continues this imagery through picturing himself as a target shot by Beatrice’s jests ‘she speaks poignards, and every word stabs†¦Ã¢â‚¬â„¢[II.2.223-4]. His imagery includes references to astrology, mythology as well as biblical and classical allusions, showing he is comfortable citing the sacred and secular literature he is referencing from. His quick witted exchanges along with his clever imagery point to a good education which was vital for men in high society. Benedick is able to understand the motivations behind the actions of the other characters. He is the first to suspect John as the man â€Å"whose spirits toil in fame of villainies† who devised the plan to shame Hero. Even though John’s language is complex and he uses anaphora and alliteration, the way he speaks is stilted and rough. The logical structure of the language suggests that he could be elegant likeShow MoreRelated Much Ado About Nothing - The Importance Of Noting Essay1155 Words   |  5 Pages Discuss The Importance Of Noting In Much Ado About Nothing Noting, or observing, is central to many of the ideas in Much Ado About Nothing. The word nothing was pronounced as noting in Elizabethan times, and it seems reasonable to presume that the pun was intended by Shakespeare to signal the importance of observation, spying and eavesdropping in the play. As a plot device, these occurrences propel the action and create humour and tension. 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